The Lenzing Group has launched a digital platform for its Tencel and Lenzing Ecovero branded fibers. The platform provides customers and partners as well as consumers with an overview across the entire textile supply chain. This will provide consumers with the most sustainable and climate-friendly clothing and home textile products that are made of Tencel or Lenzing Ecovero branded fibers.

As a follow-up to a 12-month pilot program and field trials with four leading sustainable brands (H&M, ArmedAngels, Mara Hoffman and Chicks) and supply chain players from 10 countries in three regions, the global roll-out of Lenzing’s blockchain-enabled supply chain traceability platform will be conducted in phases. During the first phase, Lenzing’s supply chain partners based in South Asia (India, Bangladesh, Pakistan and Sri Lanka) will complete the onboarding process within Q4 2020. An estimated 300+ supply chain partners in China and Turkey will also join the program in Q1 2021. It is estimated that by Q2 2021, most eligible Lenzing supply chain partners will be onboarded into the platform, ensuring full supply chain traceability.

One of the core components of the platform powered by TextileGenesis is integration with the Lenzing E- Branding fabric certification system, which allows brands and retailers not only to access the full supply chain traceability for Tencel and Lenzing Ecovero branded fibres but also to view the results of forensic (physical) verification of fabric samples via the digitally signed Lenzing E-Branding fabric certificates.

As per Kohan Textile Journal, Hyosung T&C plans to invest $52.9 million in the Cerkezkoy area near Istanbul, Turkey to more than double the size of its spandex production plant with an annual capacity of 15,000 metric tons by July next year.

The expansion would increase the spandex plant production capacity in Turkey to about 40,000 tonne. The firm’s decision came from Hyosung Chairman Cho Hyun-joon’s judgment that a preemptive investment in spandex was necessary, as the global apparel market has recently shown a full-fledged recovery, especially in the European market, according to Hyosung.

Hyosung T&C has been increasing its market presence in Europe through two additional expansions after establishing a production base in Turkey in 2008. The firm expects that this expansion will be able to meet the recovering global fiber demand of 750 trillion won.

According to US-based research firm Business Wire, global demand for spandex is growing at 6 to 7 percent per year. The growth rate of spandex is more than double that of general apparel fibers, which grow 2 to 3 percent annually. The demand for spandex in the global apparel market grows as consumers — who spend more time at home, such as working from home — seek more homeware and athleisure in the wake of the pandemic, the company said.

At the recent Kingpins show, denim players across the supply chain presented the innovations and projects being developed for Spring/Summer ’22 last week.Sustainability was the key focus of most denim technology providers. Also, they showed a renewed focus on the practicality and function of garments and in how they are made.

Tonello lineup up with denim expert Piero Turk to make a collection of denim garments that display the capabilities of its new finishing process, The Laundry (R) Evolution.

By using laser finishing machines and Tonello’s water-saving washing operation, the All-in-One System concept optimizes the entire garment finishing process. Turk and Tonello used denim fabrics for the collection which was viewed by the Kingpins Show as the most sustainable.

While Artistic Milliners is constructing on the success of ‘Crystal Clear’ indigo dye technology. With Crystal Clear 3.0, a process that decreases 80% water consumption as a combined wet process that is also powered by G2 Dynamic ozone technology by Jeanologia. Artistic Milliners presented the concept in a collection called Reflection, which includes eight fabrics made with Tencel Refibra.

This new technology created by Lycra Company aids garments to maintain their appearance wash after wash.Also, Lycra highlighted its new Anti-Slip fiber, a denim seam slippage solution for applications in single-core spandex fabrics that require durable stretch and good recovery power.

To address comfort, cut down size-related returns, and prevent ill-fitting jeans from ending up in a landfill, Soorty introduced Re-Sync, a one-size-fits-all technology that allows jeans to adapt to the wearer’s body. The fabric sculpts the body with a 360-degree stretch comfort that enables the garments to “perform well” two sizes up to and two sizes down.

Calik Denim introduced E-Denim, a patent-pending process that allows the mill to incorporate higher recycled content in ring-spun yarn without compromising the quality and strength of the yarn by wrapping recycled core yarn with recycled cotton and recycled Tencel.

Recent import data published by the Center for Global Workers’ Rights and Workers Rights Consortium exposes the glaring economic imbalance between the fashion industry in Western countries and the rest of the world.

Faulty systems lead to industry fallout

The data indicates, since the pandemic hit earlier year, fashion companies across US and Europe have rejected over $16 billion worth of completed clothing orders. This has resulted in huge financial losses for suppliers in Cambodia, Myanmar, and Bangladesh who have had to either cut back operations or close them entirely. Lockdown measures have also resulted in huge drop in profits and a significantly low demand for new items, causing suppliers to disintegrate.

Working style needs to be reinvented

The current import system followed by the US and Europe puts the entire responsibility of paying employers, factories, materials and buyers on poorer countries. This often encourages top clothing brands, such as Kohl’s to cancel existing orders from Bangladeshi and Korean garment factories. Till date, several big labels have cancelled previously requested orders. As per the Guardian, brands like Topshop, Walmart, Urban Outfitters, and Mothercare have also refused to pay for completed orders.

This imbalance exposed by the pandemic isn’t sustainable for long-term future, especially as lockdowns and international disease emergencies are likely to become even more common. The fashion industry needs to reinvent its current operating style and force big brands and companies to honor their purchasing commitments

Introduce legal-binding contracts

Also, the industry needs to step up efforts to prepare for outbreaks like COVID-19. Supply chain control needs to be taken out of the hands of wealthiest Western companies as they are well equipped to deal with the economic fallout. The industry also needs to introduce renewed insurance policies or new legal binding contracts to secure finances for suppliers.

Consumers also need to encourage brands to honor their sustainability commitments and help suppliers rather than investors. A few big brands like GAP, H&M and Zara are indeed coming forward to the aid of these suppliers by honoring their commitments. However, rather than being self-motivated, these brands are acting under the pressure of worker organizations and media outlets. It’s high time, they start looking at the bigger picture and work for the industry’s well-being.

The reopening of economies after COVID-19 induced lockdowns pushed fashion brands and event organizers across the globe to reinvent their working styles. Rumors of another wave of infections encouraged event organizers and attendees to remain attentive to changing market scenario. As a Business of Fashion report says Kaou Imajo, Director, Japan Fashion Week Organization (JFWO) prepared his organization for both a phygital and digital event. He also arranged for PPE and temperature checks at the exhibition venue.

Stepping up online operations

In Seoul, health restrictions forced Seoul Fashion Week Director Jeon Mi-kyung, to go virtual. With smaller brands having trouble securing spaces for shows and presentations, designers were forced to go digital. The report further elaborates women’s wear label, EENK introduced the Virtual Reality experience for its customers. For this, EENK partnered with showroom agency Future Society and Dazed Korea for digital activations, while also hosting a physical presentation at multi-brand destination Boon the Shop.

Tokyo-based designer Masayuki Ino also explored the virtual reality concept for his label Doublet’s Halloween-themed show. The show provided attendees VR goggles to watch a 10-minute horror movie which featured zombie-like models in the brand’s signature streetwear collection. Both Tokyo and Seoul are stepping up efforts to increase online shows. Tokyo has explored the Virtual showroom Joor to bridge the gap between global buyers and designers, while Seoul opted for Le New Black. Jeon Mi-Kyung, Director, Seoul Fashion Week, plans to work with TV programs and Korean "super app" Naver to stream shows live. She plans to link up with WeChat to livestream shows and launch a sales program for buyers and consumers to target Chinese buyers and shoppers.

Lessons from China

This year, Shanghai Fashion Week was a complete homegrown affair with brands focusing on local retailers. Unable to travel abroad for appointments, local buyers used their budgets to support local talent. South Korean and Japanese brands have also placed a renewed focus on Chinese buyers, who have become the most in-demand in Asia.

According to Madame Lu, Secretary General, Shanghai Fashion Week, the feedback from brands and showrooms that participated in the Shanghai Fashion Week indicates the industry has largely recovered from the challenges faced earlier this year. The event’s WeChat index peaked at 1,162,290, outpacing Paris Fashion Week’s 240,914, points to its growing cache among local consumers. Hence, organizers plan to focus on retail innovation as well as supply chains and sustainability, which Lu hopes will become increasingly significant to shoppers in China.

Following China’s footsteps, Tokyo and Seoul will focus on local talent and becoming stronger fashion ecosystems in their own right. In June, Japan Fashion Week Organization planned to move its Rakuten Fashion Week from October to August in 2021. This will not only buy Tokyo’s designers time to meet buyers and produce wares but will also enable more buyers and press members to attend the show.

Exploring Japanese history and culture

Rakuten Fashion Week will focus on Tokyo’s strong suits. It will be one of the most original and attractive shows, says Yohei Oki, half of the design duo Shoop, which hosted its live runway show on October 17. Tokyo-based designer Mame Kurogouchi who frequently holds shows in Paris, believes, the event will be center of the junction and offer more than runway shows. She advises organizers to focus on quality and take advantage of Tokyo’s historic sites for showcases.

Imajo plans to tap into Japan’s soft power by introducing more cultural events around music and food. With brands like Sacai and those under the Comme des Garçons umbrella opting to show in Tokyo this season, a new homecoming trend could start in Japan.

As per OTEXA data, US’ apparel imports declined by 15 percent to $6.65 billion in value terms in September compared to a year earlier, easing off a year-to-date decline of 27.71 percent to $47.03 billion.

Year-on-year volume declined by 4.6 percent for the month to 2.46 million sq m equivalents (SME). For the first nine months of the year, apparel import volume declined by 22.4 percent to 16.73 million SME compared to a year earlier. Apparel imports from China fell by 45.49 percent to $10.98 billion in the first nine months of the year. Year-over-year imports from China declined by 29 percent to $1.82 billion.

Imports from all top 10 suppliers except Cambodia declined in the nine-month period. Imports from No. 2 supplier Vietnam declined by 9.05 percent to $$9.42 billion and shipments from third-place Bangladesh fell by 13.23 percent to $3.96 billion.

Imports from Cambodia increased by 3.14 percent in the period to $2.09 billion in the nine months, but declined by 3.2 percent in the month to $289.21 million compared to September 2019. Shipments from Pakistan rose by 9.8 percent in September year over year to $140.25 million, but declined 13.1 percent in the nine months to $958 million.

Imports from Indonesia decreased by 21.28 percent year to date to $2.68 billion and shipments from India fell ny 29.89 percent to $2.28 billion.

Among the top Western Hemisphere nations, imports from Honduras declined by 39.53 percent to $1.25 billion, while shipments from Mexico fell by 33.61 percent to $1.6 billion and imports from El Salvador declined 38.69 percent to $858 million. Shipments from Guatemala increased by 13.8 percent year-on-year to $117.75 million.

Vietnam’s textile and garment businesses have been unable to take advantage of free trade agreements including EVFTA due to underdeveloped fabric production. Vietnam textile and garment industry exports around $40 billion worth of products and requires around 10 billion meters of fabric each year. According to the Ministry of Industry and Trade it uses around 45 per cent of domestic materials.

The local fabric industry produces around 2.3 billion meters of fabric a year, meeting only 25 per cent of the country’s demand. Over 7 billion meters of fabric material for production and export is imported from China, Taiwan and the Republic of Korea. Tran Tuan Anh, Minister of Industry and Trade, said the country’s production of cotton, fibres and dyes does not satisfy the textile and garment industry’s demand. Not enough attention is being given to dyeing technology and environmental protection to develop the textile dyeing industry, so businesses are reluctant to invest in textile production or form start-ups in fashion design.

Vietnam’s textile and garment industry focuses mostly on manufacturing, low added value. While the industry has many opportunities from Vietnam’s free trade agreements with other economies, around 60 per cent exports comes from FDI companies. The EVFTA’s rules of origin make it harder for businesses to use their values.

An investment of around $30 billion is needed in order for the industry to be able to produce the remaining 8 billion meters of fabric.

Luong Hoang Thai, Director -Multilateral Trade Policy Department. Ministry of Industry and Trade, said the EVFTA’s rules of origin allow businesses to import fabric from Korea but Vietnam and the RoK would have to hammer out technical specifications and decide how to examine and confirm the origin of the fabric.

Los Angeles-based denim brand Guess has partnered fine art collaborative FriendsWithYou for a line of men’s and women’s jackets and sweatshirts featuring the group’s signature character, Little Cloud.

The five-piece collection includes a men’s reversible nylon jacket with rainbow stripes on one side and a vibrant yellow on the other. Another men’s jacket as well as a sweatshirt features the Little Cloud print. The women’s faux fur jacket is offered in a soft shade of pink with Little Cloud featured on the back.

Through this collection, Samuel Borkson and Arturo Sandoval III, Co-founders, FriendsWithYou aim to spread the positive message of magic, luck and friendship through immersive installations and interactive artworks. They have incorporated healing arts, rituals, animation and optimistic symbols through various mediums including sculptures, paintings and live performances. The retail price range for the Guess x FriendsWithYou collection is $89-$158.

Abdul Rahim Nasir, Chairman, All Pakistan Textile Mills Association (APTMA) believes, regulatory duty on cotton yarn exports would not only distort the momentum gained in exports after decades but also disturb continuity of government policies for export-led growth. He says, the duty would not only agitate the historic high trend of textile exports and roll back investment of more than $4 billion but also deprive the country of projected additional 500,000 jobs.

Nasir emphasized Pakistan had sufficient cotton yarn for export purposes that had enabled the textile sector achieve historic high exports of $15.4 billion. APTMA is the premier national trade association of the textile spinning, weaving, and composite mills representing the organized sector in Pakistan. It is the largest association of the country representing 396 textile mills out of which 315 are spinning, 44 weaving and 37 composite units. The total installed capacity of APTMA member mills accounts for 9,661,366 spindles, 61,608 rotors, 10,452 Shuttleless/Airjet Looms and 1897 conventional looms.

Over 500 cotton industry professionals participated in the International Cotton Association (ICA)’s first ever Virtual Trade Event - Vision 2020 that took place from October 28-29, 2020.

With a theme addressing the future of the cotton industry, the two-day event included sessions from a variety of industry leaders. The event opened with a panel session of industry experts examining how the industry will respond to the events of 2020. It was followed by another panel session delivered by industry 'Champions for Change' which showcased an array of videos from the cotton community expressing their support for Women in Cotton.

Day Two opened with Ron Lowson, Market Commentator, acknowledging ‘What you don’t see coming hurts the most when it hits you’. The event concluded with an ICA Update delivered by Bill Kingdon, Managing Director, ICA. The next edition of the event is scheduled to take place in Singapore from October 27-28, 2021.