The spandex industry in mainland China is poised for increased competition in 2023 due to a substantial expansion of capacity. Despite experiencing a lackluster growth cycle since 2018, the industry saw a surge in demand for pandemic prevention materials in 2021, leading to an increase in profit along the value chain. This resulted in the announcement of several new spandex projects and the subsequent start of production.

The expansion of spandex capacity is expected to peak in 2023, with an estimated growth rate of 18%, the highest since 2009. The capacity of spandex is projected to increase by 507kt/year to 1292.5kt/year, up from 785.5kt at the end of 2018. New units are set to begin production in the first half of 2023, with the biggest quarterly increase in history expected in Q1.

As new units with high efficiency and low cost begin operations, some older spandex units in East China will be eliminated. While the launch of new units will be concentrated in the first half of 2023, some units may be postponed if demand fails to effectively chase up.

The proportion of Midwest China in the spandex market has increased significantly, with the market share of some East China regions declining due to little or no increase in capacity.

The global performance knitted fabrics market is projected to grow at a CAGR of 6.1% during the forecast period of 2023 to 2033. driven by the increasing demand for performance knitted fabrics from the sports and activewear industry, as well as the growing awareness among consumers regarding the benefits of wearing these fabrics, according to a report by Fact.MR

Consumers are increasingly looking for comfortable, breathable, and flexible apparel and accessories, which has led to a surge in demand for performance knitted fabrics.

The growing awareness among consumers regarding the health benefits of wearing performance knitted fabrics has also propelled the market growth. Performance knitted fabrics offer benefits such as breathability, quick drying, high absorption, and stretchability, making them highly desirable in the sports and activewear industry.

Market trends shaping the performance knitted fabrics industry include the growing demand for athleisure, sustainable fabrics, technological advancements, and smart fabrics. Athleisure has become popular among consumers, driving the demand for knitted fabrics with high performance properties. Manufacturers are also introducing fabrics made from organic, recycled, and biodegradable materials, which are eco-friendly and sustainable.

Technological advancements such as 3D knitting are also driving the demand for high-performance fabrics that offer enhanced strength, flexibility, and comfort. Smart fabrics with embedded sensors that can measure body temperature, heart rate, and other health-related metrics are also gaining popularity among consumers.

Assembly member Anna Kelles is leading the way in promoting environmental conservation in New York, as reported.

In an interview on Spectrum Local News, Kelles discussed the Fashion Act, a bill she sponsored, which aims to hold major clothing labels accountable for their impact on the environment and society.

The bill seeks to ensure that clothing labels are using natural resources responsibly and implementing fair labor practices. It also aims to promote sustainable fashion practices, which is vital as the fashion industry is responsible for a significant percentage of global greenhouse gas emissions. If passed, the Fashion Act will require clothing labels to disclose their environmental impact and take steps to minimize it.

The fashion industry is responsible for a significant percentage of global greenhouse gas emissions, and New York, as a significant player in the industry, has a responsibility to promote sustainable fashion practices.

Kelles' efforts to promote environmental conservation are vital to protecting New York's environment and economy. Metakeys: USA, Fashion Act, Anna Kelles, Carbon,

India’s Apparel Export Promotion Council (AEPC), under Ministry of Textiles has a new Secretary General, Mithileshwar Thakur. He is a member of the ’89 batch of Civil Service.

“My mantra for exponential growth of Indian Textiles and Apparel sector is investment, innovation and integration of value chain”, says Thakur on his new role. “The focus should be on building scale, skill and technology besides diversification of products basket and strengthening of Brand India,” he said.

The idea is to align the industry’s approach with the government’s vision to make India a favoured textiles destination, he added.

Earlier, he served as Additional Director General in the Ministry of Commerce and Industry and was extensively involved in the formulation and implementation of India’s Foreign Trade policy; administration of Trade Remedy Measures; amendment of Anti-dumping, Anti-subsidy and Safeguard Rules and negotiation of Free Trade Agreements/ CECA/CEPA.

He had also headed Trade Division in the Department of Commerce. Thakur has in-depth knowledge of Customs, Excise and GST laws and procedures.

The contribution of India’s legacy craftsmanship to the world of luxury is a well documented fact but getting well-deserved spotlight and acknowledgements is fairly rare. Many world-class it items in luxury fashion, jewellery, home textiles and furniture have been lovingly crafted in luxurious detailing that India has always been famous for but never quite mentioned in its own right and more often than not, a mere footnote mention. However, that is changing as acclaimed studios and designers are not only showcased in collaborations but also on their individual platforms.

Indian ateliers make a mark in global fashion

Mumbai-based Chanakya International is a renowned export house of hand-embroidered pieces with a clientele portfolio that reads like the A list shows at the London, Paris, Milan and New York fashion weeks. It all started when Chanakya’s creative director Karishma Swali led a project translating art works by the Delhi-based couple Manu and Madhvi Parekh as embroidered installations for Christian Dior’s Haute Couture Spring/Summer 2022 show at Paris’ Musée Rodin. Then came the much publicized collaboration between Dior and Chanakya Atelier that inspired the world , the Dior Fall 2023 collection staged against the backdrop of the Gateway of India, a visible symbol of colonialism, and the Dior x Chanakya Atelier retrospective.

That Dior mostly outsources a lot of the surface ornamentation and embroidery for its women’s wear, bags and shoes to an atelier in India was a well-guarded secret. But it’s out in the open now as India takes the seat at the international luxury table. Luxury brands have been zoning in on destination India as the growing middle class’ aspirations are now achievable and designer shoes, bags and frocks are often seen around at work places, social events and most of all at weddings, the perfect platform for opulence.

European luxury salutes Indian craftsmanship

For years, Europe’s luxury houses have been outsourcing embroideries, surface ornamentation and carvings from Indian master craftsmen, seldom was this contribution acknowledged as European luxury brands wanted to justify their European value through ‘Made Exclusively in Europe’. With India gaining ground rapidly through its resilient and successful economy and a strong foothold in the international corridors of power, European labels such as Dior have been smart to assess the future of luxury shifting rapidly Eastwards and paying a long-overdue homage to those who toiled endlessly in the by lanes of Lucknow, Mumbai, Varanasi and Kolkata, putting together exquisite perfection that shone the glory of European haute couture and luxury.

While Dior, like most European luxury brands, has often turned to Indian master craftsmen for their exceptional skill with embroideries and surface ornamentation, this relationship has been under the radar. Designer Rahul Mishra points out a significant portion of international luxury industry's supply chain has always been outsourced to India.

But most brands have denied credit to Indian ateliers for their handcrafted work. Indian craftsmanship has long been unfairly spoken about as being “too kitschy” and European brands have worked hard to preserve the snob value and symbolism associated with being a ‘Made in Europe’ brand.

So, fashion insiders are calling the showing a way for Dior to say ‘thank you’ for years of collaboration on intricate couture pieces, bags and shoes. The trend for crediting Indian ateliers for their craft and handmade collaboration most likely began with the ultra-glamorous shoe and accessories brand Christian Louboutin, which spoke about their work with Vastrakala, a Chennai-based Indian-French atelier run by Frenchmen Jean-Francois Lesage and Patrick Savouret and Indian Malvika Shivakumar.

A new report from the NYU Stern Center for Business and Human Rights has called for urgent reforms in the outsourcing practices of the apparel industry, following harmful practices by corporate buyers and their representatives, which have continued during the Covid-19 pandemic.

The report, titled “A Broken Partnership: How Clothing Brands Exploit Suppliers and Harm Workers and What Can Be Done About It”, includes practical recommendations for clothing brands and retailers to establish constructive relationships with outsourced suppliers that protect the human rights and economic well-being of workers.

According to the report, harmful practices by corporate buyers include pressuring suppliers for unreasonable price reductions, delaying delivery and withholding payment, canceling bookings and projections, and relying on sourcing intermediaries who exacerbate exploitative practices. These practices have resulted in reduced worker pay, and the report recommends that buyers end unreasonable price reductions and excessive discounting practices.

The report also recommends that corporate buyers commit to payment timelines that take suppliers’ raw material purchases into account, recognize that a projection or booking is as good as a contract for many suppliers, increase transparency and communication with third-party sourcing agents, and reconcile commitments to factory safety and worker wellbeing with the commercial terms negotiated with manufacturers.

The report’s recommendations provide a crucial roadmap for the apparel industry to ensure that such tragedies never happen again, and to create a fair and sustainable supply chain that benefits workers, suppliers, and buyers alike.

The University of Huddersfield will host The 92nd Textile Institute World Conference (TIWC) from 3-6 July 2023.

The conference theme, "Sustainability of the Textile and Fashion Supply Chain – Transitioning to Zero Carbon and Zero Waste," focuses on identifying sustainable practices throughout the entire textile and fashion supply chain, from raw materials to end-of-life phases.

The conference will address strategies to manage the impact of the textile and fashion supply chain on the environment and climate change, aligning with global initiatives to move towards zero carbon emissions.

Academic and industrial experts will cover sub-themes such as Future Fashion, Composites, Green Skills, Dyes, Pigments, and Polymer, Nonwovens, and Technical Textiles.

The conference aims to benefit the industry through the triple helix model of academic-industry-government dialogues and create a roadmap for achieving zero carbon ambitions before 2050.

UK's textile industry continues to experience fluctuations in imports and exports, influenced by various factors, including economic conditions and global demand, according to the latest data released by the Office for National Statistics (ONS).

UK’s clothing imports declined by 11.51% in February 2023, reaching £1.294 billion ($1.62 billion).This is a significant drop from the £1.443 billion recorded during the same period in the previous year. The decline was also observed on a month-on-month basis, with January 2023 imports standing at £1.384 billion.

Despite the recent decrease, UK's clothing imports had experienced a surge in 2022, amounting to £21.256 billion ($25.86 billion), a 23.50% increase compared to the imports of £17.034 billion in 2021. However, it remains to be seen if this trend will continue in the coming months.

In addition to clothing, the UK's textile fabric imports also recorded a decline of 4.94% in February 2023, amounting to £462 million, down from £486 million in February 2022. These imports also experienced a month-on-month decline, with January 2023 imports at £469 million. ONS data shows that textile fabric imports reached £6.359 billion between January and December 2022.

Furthermore, the UK imported £39 million worth of textile fibres in February 2023, compared to £45 million during the same month in 2022. Textile fibre imports were also lower in January 2023, at £35 million. The total textile fibre imports for 2022 amounted to £545 million.

On the other hand, the UK's clothing exports decreased annually, reaching £3.931 billion in 2022 compared to £4.263 billion in 2021. In February 2023, the country exported clothing valued at £296 million, a decline from £323 million in February 2022 and £306 million in January 2023. Meanwhile, exports of textile fabrics and fibres were recorded at £2.716 billion and £616 million, respectively, in 2022.

The recent decline in clothing imports in February 2023 highlights the need for continued monitoring of the industry's performance to identify future trends and potential opportunities for growth.

Consumer spending in the US has taken a hit for the second consecutive month as the latest retail sales data from the US Census Bureau shows that consumers pulled back on their spending in March.

The decline in spending is seen across several categories with clothing and accessories stores being hit the hardest, slipping 1.7% month on month and 1.8% from a year ago. Spending on electronics and appliances was also down 2.1% month over month, while furniture and home furnishings dropped by a respective 1.2% and 2.4%.

Overall, spending declined 1% month over month on a seasonally adjusted basis, following a 0.2% decline in February versus January.

The research from PYMNTS suggests that this pullback in consumer spending is due to the average consumer not expecting inflation to return to normal until the end of 2024.

Representatives from BGMEA and Bangladesh Garments Executive Association recently visited Tamil Nadu to discuss the possibility of sourcing yarn and fabric from the state. Bangladesh is exploring increased sourcing raw material from India to achieve its ambitious annual export target of USD 100 billion, jumping from its monthly garment exports currently valued at USD 3.9 billion.

Over 85 Indian textile entrepreneurs from the Federation attended the meeting and discussed the demand for blended fabrics and value-added yarns, sustainability-related certifications, sustainable practices, sourcing more from India, ready-to-cut processed fabrics, and demand for woven fabrics in Bangladesh.

Bangladesh wants to source more woven fabric and processed, ready-to-cut fabric of different fibres from India. Furthermore, about 40 spinning mills and 60 fabric companies in the state of TN are already supplying to Bangladesh. Earlier, the Bangladesh delegation had also visited clusters such as Surat and Delhi to explore additional sources.

This move by Bangladesh also comes as part of its efforts to reduce its reliance on China for textile imports, amid concerns over the supply chain disruptions caused by the COVID-19 pandemic.

India, with its abundant supply of cotton, polyester, and other raw materials, is a natural alternative source for Bangladesh. Moreover, India's textile industry has been actively promoting sustainable practices and certifications, which aligns with Bangladesh's growing emphasis on sustainability in the garment industry.

The growing trade relations between India and Bangladesh in the textile sector are expected to further strengthen their economic ties and benefit both countries in the long run.