SupplyShift, a responsible sourcing and supply chain transparency software platform, and Textile Exchange have partnered to accelerate responsible sourcing practices across global textile and apparel supply chains. The partnership adds a streamlined set of supply chain assessment tools to the offerings available to the Textile Exchange community. The tools use SupplyShift’s platform to engage suppliers at all levels to assess risk, reduce supply chain impact, identify fiber sources and generate business insight.

The new partnership comes in line with Textile Exchange entering final piloting stages of a new Central Database System (CDS). The new CDS will digitise the chain of custody for all Textile Exchange and Global Organic Textile Standard (GOTS) requirements to strengthen integrity and provide a foundation and collaboration point for multiple technology solutions.

As part of their partnership, Textile Exchange and SupplyShift have created Textile & Apparel Supply Chain Essentials, a standardised SupplyShift assessment package launched in collaboration with Textile Exchange to promote visibility and information-backed action at every tier of the global textile and apparel supply chain.

SupplyShift’s relationship with Textile Exchange is part of an expanded mission to grow the unified supplier network and facilitate a range of supply chain solutions for the textile and apparel industry, including environmental and social data collection and analysis, raw material traceability, farmer impact and audits. In the apparel sector, SupplyShift also provides solutions through The Sustainability Consortium and Organic Cotton Accelerator and works one-on-one with retailers and brands to deploy customiSed solutions for textile and apparel supply chains.

Global winter wear market is growing at 5.8 per cent. Favorable trade policies, growing apparel production globally, rise in per capita income, favorable demographics, and shifting consumer preference for branded products are boosting demand for winter wear. Another factor is the growth of e-commerce. Over the years, there has been a drastic change in consumer behavior and consumers are shifting towards seeking products online, and purchasing various products, such as FMCG products, clothes, and others, through e-commerce. Besides the size of population and per capita spending, other key factors driving the growth of the winter wear market are population density, downstream industry effectiveness, and changing economic policies as well as business legislation. What also helps is the abundant availability of raw materials such as wool, silk, cotton, and others in developing countries for the production of apparels and other textile products.

Companies across the globe are focusing on the launch of new products with fashion and quality along with expanding their market presence through establishing new manufacturing facilities as well as sales channels to reach potential customers. Manufacturers have adopted various key differentiation strategies to have a competitive edge vis a vis their competitors. Winter wear for instance have heating systems and can be voice controlled.

USFIA has sought an exemption against the US government’s retaliatory tariffs on clothing, home textiles and footwear. These items are currently taxed more than $15 billion per year. These tariffs are likely to hurt American brands, retailers and wholesalers as higher prices and lower sales will threaten jobs.

USFIA also supported the Made in USA campaign and manufacturing in the U.S. However, there is not enough capacity to make apparel in the United States today.

In USFIA’s 2019 Benchmarking Survey, which will be released in July, not a single respondent said that they had found the capacity for production to return to the U.S. Some respondents also expressed concerns that the China tariffs will increase costs for their Made in USA products and exports.

USFIA also noted that these tariffs on imports of clothing, home textiles and footwear will instead of punishing China for its intellectual property and technology transfer practices harm American fashion brands and retailers as well as consumers of their products.

The Sustainable Cotton Cluster (SCC) is planning to launch a sustainable and transparent cotton production pipeline in South Africa.The SCC was established in June 2014 and aims at establishing a strong momentum for the growth and development of the southern African cotton cluster. SCC has helped create 7000 additional jobs in the textile and retail industry and set up 1,240 small, medium size enterprises. For its ventures offshore, the cluster provides the technology for full traceability, from farm to retail, sustainability impact measurement and supply chain management. It also enables stakeholders to fulfill their social and environmental responsibility and contribute to a stronger economy in southern Africa. The cluster is working on building integrated supply chains. South Africa already produces high quality, exportable cotton and the GMO technology applied to seed improvement is delivering better crop yields.

The growth and sustainability of the cotton industry depend on integrated supply chain programs that are driven by retail demand and are built on virtual partnerships between supply chain stakeholders. SCC brings together the entire cotton value chain and was formed as a coordinated platform for cotton, textile and retail value chain stakeholders to formulate strategies which would ensure growth and stability in the sector. The cluster is made up of cotton farmers, ginners, spinners, fabric producers, manufacturers and retailers.

Surat-based Sanjoo Dyeing and Printing Mills, is setting up a textile facility in Zambia. The aim is to reduce the cost of linen in Zambia. The investment might create 400 jobs when the plant becomes operational in about a year.

Sanjoo Dyeing and Printing Mills, which opened in 1993, is continuously improving its quality, using modern technology, and adhering to timely deliveries. It is in the business of preparing and spinning textile fiber including weaving of textiles.

Investing in Zambia has many benefits as an investor can export to SADC and COMESA regions as well as the US through AGOA. Zambia wants to manufacture and export a variety of cotton products rather than just cotton in its raw form. Cotton is one of the country’s main foreign exchange earners. Textile mills will be set up to create jobs, earn the country valuable foreign exchange, create employment opportunities for youth and accelerate national economic development. Farmers are being encouraged to grow other crops such as cotton, millet, groundnuts, fruits, vegetables, rice and sorghum to promote agricultural diversification. A consortium of investors will be encouraged to invest in the agriculture sector to boost crop production at both household and national levels.

Prada has launched a new project, Prada Re-Nylon which introduces a sustainable line of iconic Prada bag silhouettes executed in a unique new regenerated nylon, ECONYL®. The Econyl® nylon is obtained through the recycling and purification process of plastic waste collected from oceans, fishing nets, and textile fiber waste. Econyl® yarn, through a process of depolymerisation and re-polymerisation, can be recycled indefinitely, with no loss of quality.

Re-Nylon aims to convert all Prada virgin nylon into regenerated nylon Econyl® by the end of 2021. It reflects the focus of the Prada Group on promoting a corporate culture that aspires to increasingly sustainable balances, incorporating into its daily work the idea of a return of value to society.

This project is an evolution of a fundamental code of Prada, a reinvention of heritage. The Prada Re-Nylon collection launches with six classic styles, both for men and women: the belt bag, the shoulder bag, a tote bag, a duffle and two Prada backpacks. The entire range is produced from environmentally-friendly materials, bearing a unique interpretation of the Prada triangular logo that emphasizes a bucking of the traditional, age-old linear supply chain into a cyclical one, focused on renewal.

Underscoring the importance of awareness and responsibility, a percentage of proceeds from the sale of the Prada Re-Nylon capsule will be donated to a project related to environmental sustainability. Prada in partnership with UNESCO is developing educational activities that involve students from several countries to implement dedicated lesson plans using plastic and circular economy topics to inspire learners. The approach of the educational program is built around two axes – learning and take action – and one of the outcomes will be an awareness raising campaign designed by the students.

Bobst subsidiary Mouvent launched the TX802 textile printer at ITMA 2019. The heart of these printers is the modular printhead cluster, built around Fujifilm Dimatix Samba heads. Mouvent buys the heads alone without any of the electronics or plumbing normally supplied with a printhead to have it jet the ink when needed. Instead, Mouvent 3D-prints its own housing, which holds four Samba heads in a line complete with all the necessary ink lines and electronics.

The printers are capable of producing up to 1200 x 1200 dpi resolution with three drop sizes. They will take up to eight colours. The heads can lay down up to 16 grams per square metre. The company can produce most of the drops in one pass.

This means the machine has to be very precise to hide the lines that we would otherwise hide with the next few passes. It gives us very good detail in the image so we can print very fine lines.

The original TX801 was fitted with two clusters, meaning eight heads in total. The main difference with the new TX802 is that it has four clusters, or 16 heads, doubling the speed of the printer to 100 linear mpm. However, it’s not possible to upgrade the TX801 to the newer spec as there is additional hardware around the drying in the newer machine. Both of the Mouvent printers print a 1.8m wide image on substrates up to 1.82m wide, and can handle woven, non-woven and knitted materials including cotton, silk and lycra. Currently there are reactive and acid inks available.

Mouvent also introduced a new Digital Front End, Mouvent DFE, which covers preparation of print data and drives the printers.

C.L.A.S.S., the Milan based hub specialised in the integration of a new generation of eco values in the fashion and textile industry, will focus on the most innovative yarns, fibers and fabrics in its carefully created booth at Première Vision New York.

Showcasing a selection of the special styles of smart ingredients and materials within the unique ‘Material Hub’ area and presenting how to meet modern consumer’s needs, C.L.A.S.S. booth represents a unique small exhibition.

"As definitions of gender and masculinity change and designer’s become more creative, new and unexpected shapes, patterns, colours and fabrics are making their way into mainstream men’s fashion. Pure Man, Pure UK's leading trade fashion buying event, representing women’s wear, menswear, footwear, accessories and young fashion, revealed these key menswear trends for S/S ’20 along with a line-up of brands, including Bench, Stetson, El Ganso, Dario Beltran and LA newcomers Oren Kash at a show held from July 21-23, 2019 at Olympia London."

As definitions of gender and masculinity change and designer’s become more creative, new and unexpected shapes, patterns, colours and fabrics are making their way into mainstream men’s fashion. Pure Man, Pure UK's leading trade fashion buying event, representing women’s wear, menswear, footwear, accessories and young fashion, revealed these key menswear trends for S/S ’20 along with a line-up of brands, including Bench, Stetson, El Ganso, Dario Beltran and LA newcomers Oren Kash at a show held from July 21-23, 2019 at Olympia London.

Colors: S/S ’20 is the season of pastels. Shades like millennial pink, neo mint and whitened yellows are in trend. To juxtapose these summer bright, the show will incorporate navy, burgundy and dark green colors in its collections. Meanwhile, menswear core neutrals are set to becom warmer, with yellow and orange undertones allowing vibrant ensembles around these shades.

Prints: From Hawaiian floral, to geometric digital designs, menswear prints have become bolder with S/S ’20 collections. With fashion acting as a conduit for culture, the show will also include tribal motifs, mixed with modern streetwear patterns that combine for new and fresh styles.

Fabrics: Much like their colour, materials will cross gender boundaries. The show will display sheer fabrics, lace and organza, much like Harry Styles’ Met Gala 2019 look.

Shapes: With athleisure and streetwear still much in style, menswear shapes will be slouchy for S/S ’20. Alongside urban looks, which will remain popular within the fast fashion world, tailoring is likely to become less defined and looser, with layering becoming key.

Pure Man also showcased industry’s finest menswear and unisex brands. These include:

Oren Kash: Known for pushing the norm of men’s traditional fashion, L.A. native Oren Kash launched his ostentatious ready-to-wear label in 2017. The brand does not shy from bold colors and prints which gives it a unique style. Its collection showcases casual pieces with high quality fabrications to its well- known detailed outerwear.

El Ganso: El Ganso, a Spanish brand which operates 160 stores around the world, creates practical and comfortable products that never go unnoticed. The brand’s collections offer a cosmopolitan look tinted with colors ranging from the American preppy to the Berlin style with a touch of British elegance.

Stetson: Founded in 1865, Stetson is known for creating the iconic cowboy hat which has become the cornerstone of the brand. Since then, Stetson has expanded its headwear offering and now offers everything from the classic western hat to trilbies, baseball caps and modern streetwear essentials.

You Don’t Want This Life: This urban streetwear brand is all about community. The You Don’t Want This Life family share a culture and mentality, valuing the hard work and creativity that make each of us individuals.

Oregion: Another new brand to be added to the Pure Man S/S ’20 line-up, Oregion aims to represent Hong Kong in the global fashion industry. This innovative and creative brand offers high-quality men’s and women’s bags and accessories to complement modern city life. Offering a range of colours, styles and design options, the brand offers something for each of its customer.

Brave Soul: Brave Soul is the core brand of UK-based Whispering Smith, a leading manufacturer of innovative fashion clothing for all major high street stores and e-tailers across the globe. Available at over 1500 stores across Europe, Brave Soul offers a huge range of fashionable clothing styles that also include street styles and cultures from cities across the world including a heritage line of British clothing.

Rupert & Buckley: Driven from the need to find socks in his university rowing team’s colors, James Buckley Thorp, creator of Rupert & Buckley bought a sock knitting machine to create what he needed which led to the formation of his socks business. Today, Rupert & Buckley has expanded into creating traditional British clothing for men and women. The brand also sponsors the Oxford and Cambridge boat race each year.

"The Sino-US trade war has dealt a heavy blow to the Chinese economy which is on a continuous decline. The textile and garment industry is also facing rough weathers due to the closure of several production units across the country. As official statistics by China Customs reveal, China’s total import and export value in the first five months declined by 1.6 per cent from the previous year. Its exports to the United States declined by 8.4 per cent year-on-year, while imports fell by 29.6 per cent year-on-year."

The Sino-US trade war has dealt a heavy blow to the Chinese economy which is on a continuous decline. The textile and garment industry is also facing rough weathers due to the closure of several production units across the country. As official statistics by China Customs reveal, China’s total import and export value in the first five months declined by 1.6 per cent from the previous year. Its exports to the United States declined by 8.4 per cent year-on-year, while imports fell by 29.6 per cent year-on-year. In May 2019, China’s total import and export value declined by 3.4 per cent. Of this, its imports declined by 8.5 per cent. The country’s exports however increased by 1.1 per cent compared with the same period last year.

China’s year-on-year increase in May exports was due to the rush to export before new US deadlines for imposing new tariffs on $200 billion of Chinese goods. However, Xie Tian, a professor at the University of South Carolina’s Aiken School of Business states it would be difficult to maintain long-term growth of these exports as no country has the market and purchasing power of the United States, and no country can tolerate China’s surplus other than the United States.

High material prices and low demand impact textile growth

July and August is generally the textile industry’s offseason in China as most companies go on a vacation. However, this year this vacation has already begun for many garment factories. Large garment exporters along the coast have gone bankrupt as US buyers no longer purchase from China. Zhejiang Shaoxing Keqiao Textile City, China’s largest textile trading market, has closed around one-third of its enterprises. Textile companies are under pressure from two ends as the raw materials prices have increased while at the same time sales have been blocked. This uncertain outlook on trade has made manufacturers wary of taking new orders.

The impact of the Sino-US trade war on the cotton spinning industry chain has far surpassed industry estimates. In the first quarter of this year, China’s share of US apparel imports declined slightly with the proportion of many categories of Chinese clothing declining by double digits. These declines are further likely to accelerate after the increase in tariffs.

Low demand leads to increased inventory

A report by Capital Futures, a China-based research firm indicates demand for Chinese textile products continues to weaken with inventory of most enterprises increasing by over 50 per cent compared to the same period last year. The inventory of individual enterprises increased by 10-15 days’ sales compared with the same period last year, with some even exceeding 40 days.

The increase in cotton and yarn storage has made it impossible for some textile mills to save money to buy lint cotton. While a few small factories have stopped production, many are producing in shifts. In all, a pessimistic wave pervades the entire textile industry which is eagerly waiting for the sun to shine again.