As majority of cotton farming and global textile and garment production happens in the developing countries, the textile and apparel industry is beset with issues such as inhuman working hours, lack of proper sanitation and drinking water, dreadful work environment and disregard for workers’ health and safety.
Though there has been a significant increase in awareness about these issues since the last years, nothing much has changed. Fast fashion industry survives on its offerings of cheap and disposable, trendy clothing as consumers’ expenditure on clothes has more than halved from 5 per cent in 1987, says the US Bureau of Labor Statistics.
Brands often pressurize factories to produce faster and cheaper clothes as they do not want to pay a higher price for clothing labeled as sustainable. Latest ‘Better Buying’ index reveals many suppliers in the lowest cost locations are pressured to lower prices as manufacturing has become a very thin margin and low profitability operation. These factories then try to save costs by under-investing in health and safety of their workers. An ideal solution for this could be increasing investments in these factories.
Increased investments will help manufacturers improve efficiency and reduce their per garment manufacturing cost. However, these efforts need to be supplemented with increased transparency and openness to ensure that their benefits reach all parties.
Some of the root causes of low productivity in garment manufacturing are: poor managerial skills, non-adherence to data-driven methods for process planning and poor wage structure. Often, these factories do not upgrade to new methods of timekeeping and training due to upfront investments and uncertainty of outcomes. Hence, benefits achieved by efficiency improvements are directed towards the payments of these up-front costs. Therefore, the industry must support innovators who are willing to break these shackles and help the industry to grow.
Believing that unprecedented times call for unprecedented measures, the International Apparel Federation launched its first digital Global Apparel Sourcing Expo on July 16 in partnership with Foursource and Sourcing Journal. Featuring over 10,000 products by more than 200 exhibitors, the expo was launched on July 15 and runs for 30 days till August.14. Day 1, focused on sustainability and corporate social responsibility (CSR) in the wake of the COVID-19 pandemic.
The event was kick started with an insightful address by Christian Ewert, President, Amfori, who urged industry leaders to engage in open and sustainable trading. Ewert stated the apparel industry is currently responsible for 10 per cent of global carbon emissions and hoped that COVID-19 could help the industry become more resilient, carbon-neutral and circular.
To achieve this, brands and retailers would need to increase their interactions with local producers, Ewert said. This will make them aware of the challenges that these producers face, and encourage them to improve their involvement with trade unions and local stakeholders. Brands and retailers should assume the responsibility of women employees and other vulnerable groups and ensure their safety during the crisis.
As sustainability initiatives by these businesses would need government’s help, they should first improve their interactions with trade unions and set up grievance mechanisms in factories.
Symphonization sets equal audit rules for brands, factories retailer manufacturers and factories can also reset their supply chains through the concept o symphonization. In this concept, instead of operating their own set of rules and internal factory audits, brands and retailers can collaborate with specialized independent organizations that would provide them with multiple options for their supply chains.
Traditionally, brands and retailers created their own social compliance standards that often resulted in audit fatigue as factories required multiple audits each year. Attempts to harmonize these standards failed despite many attempts from retailers, brands and manufacturers.
Symphonization of these standards can help brands and retailers realize that all the parties involved in apparel manufacturing are responsible for following sourcing rules. These brands and retailers can also replace the existing proprietary programs with a third-party organization that has its own existing supply chain audit rules in place.
In order to build a resilient supply chain, apparel companies should adapt to the concept of a circular economy, views Markus Weiser, Gore Fabrics. According to Weiser, most companies get the concept of circularity wrong because it keeps all those mini-seasons going without any further adjustments. Weiser advises these manufacturers to make fewer high-quality products that last longer. His company Gore Fabrics uses alternative technologies that allow its manufacturers to add colored pigments to fibers from which yarns and fabrics are made. Known as solution dyeing, this process helps manufacturers save up to 50 percent of the water used for conventional dyeing methods. By 2030, Gore aims to reduce its absolute carbon emissions originating from manufacturing sites and offices by 60 percent, besides reducing its absolute product-related carbon emissions by 35 percent.
Indicating China’s strong recovery from COVID-19 pandemic, the latest edition of Greater Bay Area International Textile and Apparel Expo, held from July 15 to 17, 2020 recorded the presence of over 42,374 visitors. Spread over 80,000 sq. mt. exhibition space the three expos CHIC Shenzhen, Intertextile, Yarn Expo and PH Value, was attended by over 2,000 exhibitors showcasing latest innovations in the textile and fashion industry. The fair was organized in compliance with all necessary safety and hygiene measures to prevent infections. For example, visitors had to register with their ID number. They were allowed to enter only with their ‘green code’ app and a travel record and visitors from risky areas had to show evidence of a negative RNA test.
The collections presented at the CHIC Shenzhen show were divided in 13 trade fair segments such as the Urban View segment for menswear; the Denim World and New Look Segments for women’s wear; the Heritage segment for showcasing leather and fur collections; Chic Tailoring segment for bespoke collection; the Impulses segment for designer collections; the Young Blood segment for showcasing the collections of young streetwear labels, the Chic Kidz and Future Link segments for new technologies; and Bags, Shoes, Secret Stars segment for showcasing accessories.
In the Impulses segment, Chinese luxury lingerie brand Merrige attracted the most number of visitors as it showcased a charming collection by designer Cherry Zhuang, who skillfully blended Western and Eastern aesthetics. Another prominent exhibitor in this segment was brand Ricocao, who participated in the trade show for the first time. Cao Aixia, Founder and Art Director of the brand said, “Chic offers the right platform for exhibitors to meet the most relevant players in the market.”
The Heritage segment reported a flurry of activities with brands Kopenhagen and Saga Fur receiving many new orders. The Urban View segment featured many prominent Chinese brands like Zhuangchen, Paishi or Nuohua while bespoke companies such as Fashion Dream Works, Oriental International Group or Weidu Textile presented their craftsmanship in the Chic Tailoring segment. The New Look segment welcomed companies like Meirenji and Lyn Fong while the Future Link segment presented latest technologies for recycled denim fibers.
CHIC Shenzhen also offered networking opportunities with key accounts from the Greater Bay Area through its match making tool. The tool used by more than 240 exhibitors and over 23 meetings took place at the fair.
CHIC Online: The Chic online applet enabled offline to connect with exhibitors and view their collections. This tool was used intensively, more than 180,000 clicks and over 14,000 contact requests were recorded.
Workshops and lectures: The "Create Tomorrow" summit, held as a part of the Greater Bay Area Summit, featured experts from retail, industry and design. They discussed future-oriented topics for the fashion industry. Some topics of discussions at the workshop were: ‘Sustainable fashion’ on the first day of the fair, ‘Creative design’ on the second and "Supply chain construction" on the third day.
More than 42,300 visitors attended the Greater Bay Area International Textile & Apparel Expo. For visitors, Chic Shenzhen presented an opportunity to meet their favorite brands face-to-face on a common platform. The fair also represented its exhibitors ranging large shopping malls and department store groups such as Wanda Plaza to Liqun, R&F Global Merchandise City and multi-brand boutiques such as Sanfu, Westlink, the Fashion Door, or 1 Wor to all relevant online platforms such as JD.com, amazon.cn, Wangyi.com, youzan.com, enedeAli Express etc.
“CHIC Shenzhen gave the opportunity to refresh and complement our portfolio. We also clinched business deals with some of the new brands exhibiting at the fair,” said Jiang Shixiang, Owner, HanaTebako Boutique, one of the visitors at the fair.
Zimbabwe’s trade development and promotion agency, ZimTrade, has challenged the local clothing and textile industry to increase value added exports and exceed last year’s $62.3 million earnings. In Africa, total exports of clothing and textile in 2019 were $18.3 billion, according to Trade Map, dominated by Tunisia ($4.3 billion), Morocco ($4 billion), Egypt ($3.2 billion), South Africa ($1.5 billion, and Mauritius ($687 million).
ZimTrade said although the nature of export markets is not a challenge, the export figures shows that more needs to be done if the fashion industry is to contribute meaningfully to economic development and national exports. It said figures from Trade Map suggest that the country is exporting more clothing and textile products that are not value added, which translate to exporting jobs.
ZimTrade is developing capacities of local small and medium enterprises in the clothing sector, with the assistance of partners from the Netherlands-based PUM and SES of Germany.These activities have seen some companies improve their production efficiency, output, and quality, which ensures that Zimbabwean products are commensurate with international standards and result in increased confidence and improved export figures.
The Sustainable Apparel Coalition (SAC) has recruited five new board members, adding supply chain, academic and industry expertise to its ranks. The new additions include Linda Greer, senior global fellow of the Institute of Public and Environmental Affairs (IPE) non-profit, a leading expert in corporate pollution transparency initiatives and consumer engagement.
Professor Marsha Dickson of the University of Delaware, a board member of the Fair Labor Association and co-director of the Sustainable Apparel Initiative, is also joining the SAC board.
Delman Lee, president and chief technology officer of Hong Kong-based manufacturer TAL Apparel; Abhishek Bansal, head of sustainability at textile producer Arvind Limited, and Mukul Agrawal, chief sustainability officer at viscose producer Grasim and Aditya Birla, complete the new additions. Now representing more than 250 member brands, manufacturers and retailers with a combined annual revenue of more than $500 billion, the SAC aims to improve supply chain sustainability in the apparel, footwear, and textile industry.
American Association of Textile Chemists and Colorists (AATCC) research committee has released the updated standards and test methods. The data is released twice a year: in the AATCC Technical Manual in January and in the Mid-Year Supplement in June. The latest supplement includes a total of 11 approved standards of 9 revised test methods, 1 editorially revised test method and 1 revised monograph.
All of these standards released and documented have been approved by the responsible research committee and Technical Committee on Research (TCR). Following AATCC test methods and procedures have been revised. AATCC TM16.3-2020 Test Method for Colorfastness to Light: Xenon-Arc is revised to update Options 1, 2 and 3 flow charts; AATCC TM26-2020 Test Method for Ageing of Sulfur-Dyed Textiles: Accelerated is revised to clarify and align with prescribed AATCC style guidelines; AATCC TM94-2020 Test Method for Finishes in Textiles: Identification is revised to update the spectra, edit the text in existing sections and to add new sections for clarity; AATCC TM97-2020 Test Method for Extractable Content of Textiles is revised to clarify safety requirements; AATCC TM112-2020 Test Method for Formaldehyde Release from Fabric, Determination of Sealed Jar Method is revised to update multiple sections for clarity and alignment to style guidelines, etc.
Now, for its tenth edition, New York-based denim-fabric fair BPD Expo is again being a maverick in the field by being the only fashion-driven trade show in the area that has not canceled its physical edition this season. In fact, BPD Expo is currently running and has been accepting visitors since last week–but it has been majorly modified to make shopping the show as safe and comfortable as possible in these times of COVID-19.
The current edition is being held at Blue Print Denim (BPD) Washhouse across the Hudson River in Jersey City, New Jersey. Owned by show producer Bill Curtin, the facility is the only full service wet and dry denim processing plant on the East Coast. Curtin and his team have set up a special totally separate enclosed viewing area with fresh air at the site featuring unmanned booths and racks of denim samples for fall 2021 from six mills BPD Washhouse represents in the States from Vietnam, China, Indonesia, Pakistan, Taiwan and Mexico. Curtin assures that the area will be disinfected daily.
A group of workers’ rights organizations have called on fashion brands and retailers to make a Supply-chain Relief Contribution (SRC), through which two per cent of their total sourcing budget from the preceding 12 months would be made available to garment workers struggling amidst the pandemic.
Led by the Asia Wage Floor Alliance (AWFA), Women in Informal Employment: Globalizing and Organizing (WIEGO) and member organizations HomeNet South Asia (HNSA) and HomeNet South East Asia (HNSEA), the workers’ rights groups’ call to arms has been made with the ambition of supporting not only contracted factory staff but also the hundreds of thousands of people worldwide which are time-rated, piece-rated, subcontracted and home workers, and so have fallen out of focus.
With millions of workers across major production hubs – including Bangladesh, Cambodia, Myanmar, Vietnam and India – fighting for survival amidst the uncertainty of the coronavirus crisis, the coalition of organizations hopes fashion’s leaders can throw down the gauntlet and support those in their supply chains. Through the SRC mechanism, companies of all sizes which source from the aforementioned nations would apportion some of their wealth – dependent on the scale at which they’ve bought over the past year – to keep supplier factories and their workforces afloat.
OTEXA reveals India’s apparel shipments to the US declined by 70.17 per cent in volume and 71.44 per cent in value in May’20. This is the biggest decline in the list of exports, clothing to the USA. The value of US imports of clothing items from India decreased by 83.74 per cent in May 20 as the country imported 19.63 million SME garments worth $62.98 million. The year-on-year decline was recorded at 82.45 per cent.
The value of India’s clothing shipments to the US from January-May 20 declined by 27.08 per cent to $1,424.63 million compared to $1,953.74 million for the same duration of the previous year. Indian unit prices for shipping to the US also dropped by 1.74 per cent to $3.50 from $3.56 in 2019.
India’s shipment of apparel from the USA too fell due to the lockdown in April and May. Indian factories began operation from the first week of June and will be reflected in the following months.
Kids wear retailer Children’s Place plans to close 300 of its shops in malls by the end of 2021. The retailer’s mall-based portfolio will account for less than 25 per cent of its total revenue. By the end of second quarter of this year, the company plans to close 100 outlets followed by another 100 stores in 2021. About half of the first set of closures will be affected in the next two months with most of these stores likely to be liquidated soon.
These closures are a result of the company’s continuous decline in sales. Sale in the first quarter declined 38 per cent. It swung from $4.5 million in net profits a year earlier to a $114.8 million loss. That was a 990-point base downswing to 26.8 per cent of net sales, largely due to higher e-commerce fulfillment costs, along with closed-store fixed expenses.
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