The landmark trade deal India-UK Free Trade Agreement (FTA), signed yesterday by Prime Ministers Narendra Modi and Keir Starmer, will reshape India’s fashion and textile narrative on the global stage. The deal is being hailed as a transformative leap for India's textile, apparel, and home furnishing industries. The FTA will eliminate tariffs on 99 per cent of Indian exports and slash duties on 90 per cent of UK goods entering India, the agreement is expected to double India’s apparel and textile exports to the UK by 2030.
What it means for Indian fashion
Under the terms of the agreement—set to take effect by mid-2026—99 per cent of Indian exports will now enter the UK duty-free. For the textile and apparel sectors, this is a major shift. Currently, India’s ready-made garments (RMG), cotton products, and home textiles face tariffs of 8-12 per cent in the UK. These will now be eliminated entirely, improving competitiveness and margins. Conversely, India will gradually reduce tariffs of 10-20 per cent on high-end UK goods, including branded apparel, designer fashion, and premium home textiles, making luxury more accessible to India’s growing affluent class.
A trade windfall in the making
India exported $1.4 billion worth of apparel and home textiles to the UK in 2024. Of this, RMG accounted for $1.1 billion. By 2030, this figure is expected to double to $2.8 billion, as Indian market share in the UK’s import basket surges from 6 per cent to 12 per cent. “This is a Himalayan achievement,” opines A Sakthivel, Chairman of the Apparel Made-Ups & Home Furnishing Sector Skill Council. “India now has the opportunity to become a reliable alternative to Bangladesh and Vietnam in the UK market.” Industry estimates from ICRA suggest an 11-13 per cent CAGR in textile exports to the UK, with annual incremental gains of $1.1–1.2 billion—thanks to the elimination of duties, improved competitiveness, and a stable trade framework.
Cluster impact from Tiruppur to Karur
Export-oriented hubs like Tiruppur, Surat, Ludhiana, Karur, and West Bengal are expected to scale operations significantly. These regions could attract fresh investments as exporters capitalize on improved margins due to tariff elimination and logistics support. Small and medium manufacturers, particularly artisan-led and women-run MSMEs in Tamil Nadu, Gujarat, and West Bengal, will also benefit from simplified trade procedures and improved access to UK buyers.
Rakesh Mehra, Chairman of the Confederation of Indian Textile Industry (CITI), expressed optimism regarding the agreement's potential. "The landmark FTA with the UK is a huge positive for India's textile and apparel domain," Mehra says. "It has the potential to transform the fortunes of the entire Indian textile sector and provide the kind of impetus which is necessary to help India realize its ambitious goal of achieving textile and apparel exports of $100 billion by 2030."
The home furnishings sector—including bed linen, towels, curtains, and upholstery—stands to gain substantially. Indian home textile brands like Trident and Welspun already have a presence in UK retail. The FTA will expand their scope and margins.
While exporters cheer, the Indian retail market braces for a wave of premium British imports. High-end British brands such as Paul Smith, Ted Baker, Burberry, and Marks & Spencer (already operating in India) will benefit from lower or zero import duties. Experts believe that affluent Indian consumers—whose numbers are expected to grow by 129 per cent by 2030 will increasingly prefer affordable luxury and quality imports.
Table: FTA impact on India-UK textile trade
Category |
CY 2024 Value (USD) |
Current Duty ( per cent) |
Projected by 2030 |
Comments |
India → UK: Apparel & Home Textile |
1.4 Billion |
8–12 per cent |
2.8 Billion |
Export share to UK doubles; CAGR 11–13 per cent |
India → UK: Ready-Made Garments |
1.1 Billion |
8–12 per cent |
2.2 Billion |
RMG import share grows from 6 per cent to 12 per cent |
UK → India: Branded Apparel/Textiles |
N/A |
10–20 per cent |
Tariffs phased to zero on 90 per cent of lines |
Surge in British premium fashion in Indian retail |
Additional Annual Export Gain |
N/A |
– |
1.1–1.2 Billion |
Boost driven by improved competitiveness, scale, and cost |
The India–UK FTA marks a defining moment for Indian textiles and fashion. It elevates India’s positioning in a high-value, trend-conscious market while opening the domestic arena to global competition.
To win, Indian exporters must double down on branding, innovation, and sustainable practices. For domestic retailers and designers, agility and strategic positioning will be key as the British invasion of premium fashion arrives—tariff-free.
Implications: Adapt or be disrupted
The India–UK FTA is more than a bilateral trade agreement—it's a strategic inflection point. Exporters must now double down on branding, design innovation, and sustainability to capture discerning UK buyers. Retailers and Indian designers must prepare for intense competition in the domestic market and potentially collaborate or co-create with British labels. MSMEs must leverage government incentives and global interest to scale ethically and efficiently. Ultimately, this FTA lays the foundation for India to pivot from a cost-based exporter to a value-based global fashion partner.
A defining decade ahead
As tariffs fall and opportunity rises, the India–UK FTA unlocks not just trade, but transformation. It enables Indian fashion to assert itself globally while inviting healthy competition at home. For a sector often caught between tradition and transformation, this could be the moment where India’s textile legacy meets its fashion-forward future.
From global icon to retail relic, Benetton's vibrant legacy has unraveled, caught between a rigid past and a rapidly evolving fashion future. So what went wrong for the brand that once united the world in color?
In the late 20th century, the name Benetton was synonymous with more than just clothing; it represented a bold, socially conscious ethos, a ‘United Colors of Benetton’ that transcended fashion. Its vibrant knitwear and provocative advertising campaigns, spearheaded by photographer Oliviero Toscani, made it a global phenomenon. From depicting AIDS patients to challenging racial stereotypes, Benetton's ads sparked debate and cemented its place in popular culture. By 1996, the Italian brand boasted of 7,000 sales outlets across over 100 countries, ranking 75th in Interbrand's global brand list in 2000. This was Benetton at its zenith – a brand that was both commercially successful and culturally significant.
The new millennium, however, brought a shift in the retail world, one that Benetton was ill-equipped to navigate. The rise of fast fashion giants like Zara and H&M fundamentally altered consumer expectations. These new players mastered the art of rapid trend replication and swift supply chains, bringing runway styles to stores in mere weeks at affordable prices. Benetton, with its more traditional production cycles and extensive, less centralized franchise model, found itself outmaneuvered.
"The rigidity of Benetton's approach to distribution did not enable the company to rapidly match changing customer's needs, a capability that was perfectly managed by competitors such as Zara and H&M," noted a study on the brand's decline. This inability to adapt quickly to evolving trends and consumer demands for constant newness was a critical misstep.
Beyond operational rigidity, Benetton's once-revolutionary advertising began to lose its potency. While Toscani's campaigns were initially groundbreaking, some later efforts, such as the 2000 campaign featuring death-row inmates, proved controversial to the point of alienating consumers and retailers, leading to Toscani's departure and a dip in sales.
As the digital age dawned, Benetton struggled to find a new, compelling voice. Competitors embraced social media, influencer marketing, and direct-to-consumer models, forging new connections with younger demographics. Benetton, by contrast, fell behind. "The brand struggled to stay relevant as newer brands took over the youth market. Benetton lacked strong influencer collaborations and a strong presence on social media," highlighted a report from The NoName Company. The ‘United Colors’ messaging once so powerful, became muted in a crowded and digitally-driven marketplace.
The operational and branding missteps translated directly into severe financial losses. The company, delisted from the stock exchange in 2012 to become a fully owned subsidiary of the Benetton family's Edizione holding, has continued to bleed money.
Table: Benetton Group reported losses (approx figures)
Year |
Reported loss (€ million) |
Source |
2017 |
180 million |
Wikipedia |
2022 |
80 million |
The NoName Company |
2023 |
230 million |
The NoName Company |
2024 |
100 million (projected) |
Wikipedia (Luciano Benetton's accusation) |
The mounting debt, reportedly surpassing €460 million, also led to internal discord. In May 2024, co-founder Luciano Benetton publicly accused then-CEO Massimo Renon and other executives of mismanagement, citing a €100 million loss. This public spat further underscored the deep-seated issues plaguing the company's leadership and strategy. Claudio Sforza has since been appointed as the new CEO.
What was once a cornerstone of Benetton's global expansion—its extensive franchise model—paradoxically became a contributing factor to its decline. While it allowed rapid scaling, it also diluted control over brand consistency, store experience, and inventory management. In an era demanding seamless omnichannel experiences and precise stock control, Benetton's decentralized structure proved cumbersome compared to the tightly integrated operations of its rivals.
Today, Benetton is in a desperate fight for survival. The brand has announced plans to close over 400 stores globally by the end of 2025, with 180 already shut in 2024. Restructuring plans are underway, aiming to reduce losses and achieve a break-even point by 2026. However, the challenges are immense.
From its failure to adapt to the fast-fashion paradigm and its inability to refresh its once-iconic brand identity, to its crippling financial losses and internal turmoil, Benetton serves as a cautionary tale. The vibrant ‘United Colors’ that once captivated the world have faded, leaving a brand scrambling to find its place in an industry that has relentlessly moved on. The path to recovery is steep, demanding not just a new strategy, but a complete reimagining of what Benetton stands for in the modern world.
Led by Walid Gamal El-Din, Chairman, Suez Canal Economic Zone (SCZONE) has signed three significant contracts with leading Chinese textile and ready-made garment companies, attracting approximately $52.6 million (EGP 2.58 billion) in new investments.
These projects are projected to generate around 3,500 direct job opportunities in Egypt. One of these new agreements is with a major Chinese firm and certified global supplier, Changzhou East Noah Printing and Dyeing Co to establish an integrated textile factory on an 80,000 sq m in the Qantara West Industrial Zone.
This $20 million self-financed project will cover spinning, weaving, and fabric production, creating around 1,000 direct jobs. The factory will produce home textiles like blankets and bed linens, with a daily capacity of 80 tons and an annual output of up to 8 million finished items. Notably, 90 per cent of its production is earmarked for export, with the remainder for the local market.
A second contract was signed with Changzhou Golden Spring Textile Co, an integrated textile player exporting to over 40 countries. This company will invest $24 million (fully self-financed) in an 85,000 sq m factory, also in Qantara West, focusing on luxury textiles and home furnishings. This project is expected to create another 1,000 direct jobs. With an annual capacity of 15,800 tons of fabrics and 2 million finished textile products, 90 per cent of its output, including blankets and bed linen sets, will be exported to the Middle East, North Africa, Europe, and the Americas.
The third agreement involves establishing an $8.6 million (self-financed) RMG factory on 40,000 sq m in Qantara by a Soho Holdings Group-company, Jiangsu Sainty Corporation. This project is set to create approximately 1,500 direct jobs, with 100 per cent of its production dedicated to export markets, leveraging the company's four decades of experience exporting to about 100 countries worldwide.
These agreements underscore SCZONE's successful collaboration with the Chinese business community, a crucial strategic partner, highlights Gamal El-Din. The latest contracts bring the total number of Chinese projects in the Qantara West Industrial Zone to 18.
With three new additions, the Qantara West Industrial Zone now boasts 28 contracted projects, representing total investments of approximately $734.1 million. These projects span nearly 1.8 million sq m and are projected to create 38,455 direct job opportunities, reinforcing SCZONE's growing role as a leading industrial hub that supports Egypt's ambition to strengthen its global position in textiles and ready-made garments.
As per a new new report titled, ‘World - Babies' Garments And Clothing Accessories (Knitted Or Crocheted) - Market Analysis, Forecast, Size, Trends And Insights’ by IndexBox, the global market for babies' knitted or crocheted garments and accessories is expected to experience a moderate growth rate of +1.4 per cent in volume and +2.0 per cent in value from 2024 to 2035.
This growth will be driven by an increasing demand for baby clothing worldwide, positioning the market for continued expansion in the coming years.
The global market for babies' garments and clothing accessories (knitted or crocheted) is forecast to expand with an anticipated CAGR of +1.4 per cent for the period from 2024-35, which is projected to bring the market volume to 4.9 billion units by the end of 2035.
In value terms, the market is forecast to increase with an anticipated CAGR of +2.0 per cent for the period from 2024-35 to $106.9 billion (in nominal wholesale prices) by 2035-end.
An Emirati investment firm based in Abu Dhabi, Multiply Group has finalized its acquisition of a majority stake in the Spanish fashion company, Tendam. Valuing Tendam at approximately €1.3 billion, this deal marks Multiply Group's ‘first major investment’ in Europe. The firm has acquired 67.91 per cent of the capital in Castellano Investments SÀRL, which owns Tendam Brands SAU and its subsidiaries. Minority shareholders Llano Holdings SÀRL and Arcadian Investments SÀRL, corporate investment vehicles of CVC and PAI Partners funds, will retain their stakes.
Multiply Group aims to ‘lead the next phase of Tendam's growth.’ This phase will prioritize further international expansion across Europe, Latin America, and the Middle East. A key strategic component will involve the integration of artificial intelligence (AI) across all business areas, from procurement to customer experience, by leveraging Tendam's existing digital infrastructure. Additionally, Multiply Group plans to support Tendam through ‘selective acquisitions (M&A)’ to broaden its portfolio with new brands and categories.
Samia Bouazza, CEO and Managing Director, Multiply Group, states, this acquisition marks Multiply Group's strategic entry into the retail and fashion sector. By securing a controlling stake in a leading omni-channel platform, the group invests in a high-performing, future-focused business model backed by an exceptional management team. She emphasizes on the potential to expand into new categories and scale emerging brands globally, with Multiply's expertise in synergy creation, AI application, and M&A execution poised to accelerate growth and generate long-term value.
Jaume Miquel, Chairman and CEO, Tendam, adds, together with the shareholders and management team, the company will fully deploy their potential, expanding their brands into new formats, markets, and channels, supported by advanced artificial intelligence and digital technology to achieve stronger growth and profitability through a unique and unrivalled omni-channel ecosystem of brands.
Formerly known as Grupo Cortefiel, Tendam boasts a diverse portfolio of a dozen retail brands, including well-known names like Women'secret, Springfield, Cortefiel, and Pedro del Hierro. Other brands under its umbrella include Hoss Intropia, Slowlove, High Spirits, Dash and Stars, OOTO, Milano, Fifty, and Hi&Bye. The conglomerate operates over 1,760 points of sale, comprising its own stores, department store concessions, and franchises, across more than 80 markets worldwide.
As of the end of June 2025, Tendam reported sales of €1.4 billion over the preceding twelve months, with an EBITDA of €340.7 million.
A major cellulose fiber manufacturer under Tangshan Sanyou Group, Sanyou Chemical Fiber and a US-based textile-to-textile recycling innovator, Circ have entered into a strategic partnership to significantly accelerate the scaling of recycled cellulosic fibers, specifically lyocell, within the global textile sector.
As a part of this agreement, Sanyou has committed to purchasing pulp for five years from Circ’s first commercial-scale facility, which is expected to be operational in 2028.
This partnership between Sanyou and Circ will focus on producing lyocell staple fibers with 30 per cent recycled content, enhancing access to and scaling of sustainable recycled fibers in the market. Peter Majeranowski, CEO, Circ, emphasizes, as one of the leading global MMCF producers, Sanyou’s commitment to Circ demonstrates both the quality of its product and the future of the industry. Such strategic partnerships are crucial for the realization of Circ's mission to create a truly circular economy in the global fashion industry, he emphasizes.
The collaboration underscores the vital need for cooperative relationships to effectively scale textile-to-textile recycling innovation. Sanyou’s commitment ensures its customers will have access to high-quality recycled Circ Lyocell at a time when demand for sustainable options is outpacing production, and brands are actively seeking to diversify their production markets.
Zhang Dongbin, Deputy General Manager, Sanyou, states, both Sanyou and Circ are dedicated in their commitment to fostering sustainable practices that reduce the environmental impact of the fashion industry. This strategic partnership will establish new benchmarks in the textile industry thanks to its shared vision for a sustainable future and circular economy, he adds. Sanyou has already received the highest rating under Canopy’s 2024 Hot Button Report, which assesses man-made cellulosic fiber (MMCF) producers' forest sourcing and leadership in Next Gen production, further cementing their role in supporting the growth of the sustainable fibers market.
Sanyou Chemical Fiber is recognized as a National High-tech Enterprise and a leading cellulose fiber manufacturer, producing viscose staple fiber, modal fiber, and lyocell fiber. Circ, headquartered in Danville, Virginia, is known for its patented technology that recycles post-consumer and post-industrial textiles into virgin-equivalent materials, building a circular economy for the fashion industry.
Continuing to push boundaries, the denim industry constantly experiments with new fibers, fabrications, dyes, and processes to achieve fresh aesthetics while prioritizing sustainability. At the forefront of this innovation is Arvind Ltd which aims to showcase its latest denim advancements at the upcoming Kingpins Show in New York on July 23-24, 2025.
Arvind Ltd will feature two distinct booths. One will present its Autumn/Winter 2026 denim collection, emphasizing comfort, performance, and sustainability. The second booth will be entirely dedicated to showcasing the company's groundbreaking innovations.
The company engineers denim with purpose with the integration of recycled materials, regenerative cotton, and low-impact dyeing to create responsible and authentic textiles, says Karan Ojha, Chief Marketing Officer – Wovens, Denim and Knits, Arvind Ltd. Innovation is a tool at Arvind Ltd with sustainability being a standard and decarbonization a commitment that drives every process toward a lower-impact future, he adds.
Leading international trade fair for home and contract textiles, Heimtextil is set to offer a comprehensive showcase for holistic interior design from January 13 to 16, 2026. The upcoming event promises an expanded and diverse product range, integrating both textile and, for the first time, non-textile solutions.
Interior designers, architects, and buyers from the hospitality and retail sectors will find an unparalleled selection of textile and material innovations under one roof. Bettina Bär, Director, Heimtextil-Messe Frankfurt, highlights, architects, interior designers, and buyers are looking for a complete range of products in one place. The trade show provides exactly that with its broad offering and addition of non-textile floor coverings, The new hall layout is designed to create targeted synergies, ensuring an efficient and structured visitor experience.
Serving as a central hub for integrated interior design concepts, Hall 3.0 will feature wallpaper, curtains, carpets, and sun protection systems. It will house leading international brands like Marburger Tapetenfabrik (Germany), York Wallcoverings (US), and DecoTeam members who will present their latest collections. A new installation by Patricia Urquiola will further inspire integrated design at the highest level.
Halls 3.1 and 4.1 will host the globe's largest selection of weavers for furniture and decorative fabrics. The focus here will be on contract fabrics, imitation leather, and specialized fibers and yarns, emphasizing both functionality and modern design. Exhibitors in these halls include Manifattura Filtes (Italy), Edmund Bell (Great Britain), and Vescom Velvets BV (Netherlands).
The carpet segment will occupy Halls 11.0, 11.1, and 12.0, showcasing hand- and machine-woven carpets, unique pieces, and doormats. A significant new addition is the Flooring & Equipment segment, introducing non-textile floor coverings for the first time. This expansion aims to provide a complete range of floor solutions for contract furnishers and buyers, featuring exhibitors like Heritage Overseas (India) and Welspun UK.
Halls 5.0, 5.1, 6.0, and 6.1 will house the Bed, Bath & Living segment, offering finished products for hospitality, including bed linen, bathroom textiles, and home accessories with high quality and flexible order quantities. The Smart Bedding section in Hall 4.0 will present state-of-the-art sleep solutions, including mattresses, duvets, and pillows, from companies like Hefel Textil (Austria) and f.a.n. Frankenstolz Schlafkomfort (Germany).
Heimtextil 2026 is poised to be an essential event for professionals seeking innovative, functional, and aesthetically pleasing solutions for all aspects of textile and non-textile interior design.
In a visionary address at the Textile Leaders’ Conclave 2025 in Ahmedabad, Kulin Lalbhai, Vice Chairman of Arvind Ltd., called for the Indian textile sector to be declared a ‘national priority’—an urgent imperative, he argued, for India to emerge as a global powerhouse in the textile and apparel value chain. His speech underscored an important moment for the industry, urging stakeholders, policymakers, and entrepreneurs alike to “not just participate in, but lead the global textile game.”
The conclave, jointly hosted by JITO Ahmedabad and CII Gujarat, brought together leading textile industrialists, policymakers, investors, and supply chain experts to discuss strategies for strengthening India’s global competitiveness in textiles. Against the backdrop of evolving global sourcing patterns and a bullish domestic market, Lalbhai’s address worked as a rallying cry for transformational change.
Lalbhai said, India is witnessing a rare convergence of macroeconomic tailwinds: growing domestic consumption, favorable global demand reallocation, and strong government backing through Production Linked Incentive (PLI) schemes, infrastructure investments, and FTAs with markets like the UAE and Australia. These elements, he said, form the perfect springboard for India to seize global leadership in textiles—a $1.4 trillion industry currently led by China but increasingly open to realignment due to geopolitical shifts and rising ESG compliance costs.
“This is a golden window—perhaps a once-in-a-generation opportunity,” Lalbhai said. “We must respond with scale, speed, and vision.”
Lalbhai positioned Gujarat—India’s largest cotton-producing and textile-exporting state—as the nucleus of this transformation. Traditionally known for spinning and yarn, the state must now focus aggressively toward value-added segments such as apparel, technical textiles, and fashion-led exports.
“Gujarat is poised to be the engine of India’s textile leap, but we must go beyond volume to value,” he noted, stressing the need for vertically integrated supply chains, state-of-the-art garmenting parks, and research-backed product innovation.
Lalbhai’s blueprint for global competitiveness was centered around three imperatives, all aligned with India’s broader developmental vision of Viksit Bharat@2047.
Massive expansion of garmenting capacity: India must move beyond raw material and fabric exports to become a major exporter of finished garments. Lalbhai emphasized the need for large-scale, globally compliant apparel clusters with plug-and-play infrastructure, skilled labor, and digitized production lines.
Increased adoption of Man-Made Fibres (MMF): With global fashion brands increasingly favoring MMF-based apparel due to durability and circularity concerns, India must diversify beyond cotton. “If we want to be relevant in global markets, cotton alone won’t cut it,” Lalbhai said, calling for balanced incentives and ecosystem development for polyester, viscose, and recycled fibres.
Speed and sustainability as core competencies: “Lead times and lifecycle impact will define winners,” Lalbhai stated. He advocated for nearshoring garment hubs, fast digital sampling, and green technologies such as waterless dyeing and renewable-powered plants. Sustainability, he argued, must be seen not as compliance, but as a competitive advantage.
A central theme of Lalbhai’s address was inspiring the next generation to see textiles not as a legacy sector, but as a sunrise industry. “The future belongs to dreamers,” he said, calling on youth to reimagine textiles through design, tech, and entrepreneurship.
He also advocated for decentralizing manufacturing beyond traditional clusters like Tiruppur and Ludhiana. Smaller cities across UP, Odisha, MP and Assam offer untapped potential for employment, local entrepreneurship, and inclusive growth. “A national textile vision must be pan-India in spirit,” Lalbhai stressed.
As the Textile Leaders’ Conclave concluded, Lalbhai’s speech echoed as a call for collective ambition. For India to capture a greater share of the global textile trade—currently just 4 per cent compared to China’s 33 per cent—it must overcome structural inefficiencies, skill shortages, and fragmented value chains. Lalbhai’s message was clear: “India’s textile sector must be treated as a strategic lever of economic and geopolitical influence. Let’s elevate it to the level of national priority.” With coordinated investments, policy clarity, and innovation at scale, India has the potential not just to lead but to reshape the global textile map.
Thus as India eyes its centenary in 2047, the textile sector stands at a strategic inflection point. The roadmap outlined by Lalbhai offers not just a business plan, but a national mission—to reclaim India’s historical stature as a global textile innovator, employer, and exporter. The question now is whether the nation will rise to the moment with the urgency, unity, and scale it demands.
In the glossy world of fashion—where aesthetics and storytelling reign—the industry's financial underpinnings are quietly coming undone. The global fashion sector is facing an intensifying liquidity crisis, threatening to unravel the very fabric of how clothes are made and sold. At the heart of this crisis lies a historically transactional, power-imbalanced business model—one that is proving alarmingly ill-equipped to withstand the shocks of a changing global economy.
The crisis isn’t new, but its severity has escalated over the years. Extended payment cycles, soaring operational costs, tariff upheavals, and global supply chain disruptions have exposed the vulnerabilities of fashion’s legacy structures. Yet, while the threats are real and rising, a growing coalition of voices within the industry is calling for an overdue shift—from brittle transactionalism to a model built on collaboration, shared responsibility, and transparency.
Fashion's business relationships have long been adversarial. Retailers and brands, traditionally the powerbrokers, often dictate unfavourable terms to suppliers—lengthy payment cycles, unilateral cancellations, and razor-thin margins. For manufacturers, this means fronting the cost of raw materials and labour, only to be paid months later. Azfar Hasan, CEO of Matrix Sourcing, doesn’t mince words, “Factories are filing claims for financing every other day, and banks are pulling out of this sector because it’s considered high risk.” This structural dysfunction, once papered over by steady demand and cheap capital, is now untenable.
A perfect storm is brewing, driven by a confluence of pressures that are crushing the financial flexibility of fashion players across the value chain:
1. Working capital paralysis: Retailers are struggling just as much. A Hackett Group survey revealed negative working capital metrics in the sector for the first time in a decade. With stagnant revenues and rising receivables, many retailers simply cannot pay suppliers on time. As Brad Ballentine of MAS Acme notes, “Inefficient use of working capital comes from buyers and suppliers not sitting down and talking about how to make the business better.”
2. Disrupted global transit: Geopolitical conflicts and logistical blockages—particularly in the Red Sea, Suez, and Panama Canals—have lengthened delivery timelines and tied up capital in transit. According to Drewry’s World Container Index, freight rates have jumped 173 per cent since November 2023. These shipping delays translate into higher costs and longer working capital cycles for all parties.
3. Tariff shockwaves: Tariffs are rapidly reshaping sourcing strategies. The US reimposed steep tariffs on Chinese apparel, pushing average duties to a record 69.1 per cent in May 2025. As a result, US apparel imports from China fell to $556 million—their lowest monthly level in 22 years.
Month/Year |
Value (USD Million) |
Notes |
Jan 2025 |
$1,690 |
Pre-tariff stock-up |
Apr 2025 |
$796 |
Tariff impact begins |
May 2025 |
$556 |
Lowest level in 22 years |
Source: USITC, May 2025
4. Rising input costs: Manufacturers are hit by volatile and rising costs of labour, energy, and raw materials. Cotton, for instance, stood at $0.92 per pound in early 2024, up sharply from a pre-2021 average of $0.65. These costs often can’t be passed down the chain, squeezing margins.
5. Inventory overhang: Retailers are also weighed down by bloated inventories. In February, H&M reported an 11 per cent YoY rise in inventory levels, driven in part by Red Sea shipping delays. Excess stock means capital is frozen, warehousing costs spike, and markdowns proliferate—hurting profitability.
Despite the clear distress signals, the industry remains slow to adopt new operating models. Decades of mistrust, power asymmetry, and risk aversion hinder progress. Buyers are reluctant to absorb the upfront costs of new approaches, even if they promise long-term gains. Moreover, the deep transparency required for true collaboration—such as sharing point-of-sale data or factory financials—remains a cultural taboo.
A growing number of industry leaders advocate for a paradigm shift towards collaboration, flexibility, and transparency. This new approach promises enhanced efficiency, reduced working capital, and improved profits for all stakeholders.
Optimized working capital: Strategies like postponement of raw materials and joint business planning can significantly reduce capital tied up in the supply chain. Ballentine highlights cases where a "2 per cent increase in direct cost, channeling supply flexibility," led to "as much as a 10 per cent increase in gross margin."
Shared risk and rewards: Moving beyond a ‘nobody takes responsibility’ culture, collaborative models foster shared ownership and distributed risks, as outlined in reports like ‘Under the Banyan Tree’.
Transparency as a driver: True transparency, where factories share balance sheets and retailers provide point-of-sale (POS) data, is crucial. This allows both parties to understand mutual financial realities and identify opportunities for shared gains, as seen with companies like Gym Shark and New Balance.
Sustainability & innovation: A more stable and collaborative supply chain inherently reduces waste from overproduction and cancellations, aligning with growing consumer demand for sustainable and high-quality products. Agile models, exemplified by fast fashion players like Zara, demonstrate how quick response times and reduced inventory can lead to success.
Aspect |
Current transactional model |
Proposed collaborative model |
Working Capital Use |
Inefficient, capital tied up |
Optimized, reduced strain |
Risk Burden |
Primarily on suppliers |
Shared between partners |
Trust Level |
Low, adversarial |
High, transparent |
Speed & Responsiveness |
Hampered by rigidity |
Enhanced by flexibility |
The stakes couldn’t be higher
The fashion industry has reached an inflection point. The existing model—built on squeezing suppliers and prioritizing short-term gains—is collapsing under its own weight. The alternative is clear: reimagine the supply chain as a partnership, not a battlefield.
This transformation won’t be easy. It requires unlearning decades of ingrained behaviours and building new capabilities in forecasting, financing, and transparency. But if the industry hopes to survive—and thrive—in a volatile world, the path forward must be stitched together with trust, shared vision, and mutual accountability. As Hasan puts it, “There’s no choice left. Either we build this together, or we lose it all—alone.”
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